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Fonts That Sabotage Your Brand (And What to Use Instead)

I’ve been working with fonts for years, and I’m still amazed by how much they can make or break a brand’s success and the lasting impression they create. When typography is done well, everything just feels right. But certain font choices can actually sabotage your brand without you even realizing it—and I want to help you avoid those pitfalls while discovering better alternatives.

Understanding Serif and Sans Serif Font Types

Let’s start with the basics—serif fonts. They are the things that look like little feet on the letters. Serif typefaces bring this wonderful sense of history and tradition to your brand identity. There’s a reason established newspapers and publishers still choose serif fonts. They evoke stability and trustworthiness.

But here’s where brands sometimes go wrong: using overly ornate or dated serif fonts like Times New Roman for modern businesses. While Times New Roman served us well for decades, it can make your brand feel stuck in the past. Instead, try elegant serif fonts like Playfair Display or Merriweather—they offer that same professional feel but with a contemporary style that helps your brand stand out.

Serif Sans-Serif Fonts Comparison image

Sans serif fonts are wonderfully versatile—clean, minimalist, and really hard to get wrong. The simplicity of sans serif typefaces makes them perfect for brands that want to convey a modern, friendly message. However, defaulting to Arial is one of those font mistakes that can sabotage your brand’s potential. While Arial has excellent readability and legibility, it’s so common that it makes your business blend into the background.

Better alternatives? Helvetica remains a classic choice if you want something similar but more refined. For something fresher, Montserrat and Poppins are some of the best fonts available—they’re genuinely gorgeous with the same excellent readability but with much more personality.

Common Font Mistakes That Sabotage Your Brand

I see some patterns in what can be tricky when choosing fonts. That ultra-thin or light weight font that looks stunning on a desktop monitor? It’s actually sabotaging your message by becoming completely illegible on phones, which affects readability for your audience. Raleway Thin and Josefin Sans Light might seem elegant, but they sacrifice legibility for style. Instead, stick with regular or medium weights for body text—save those light weights for large headlines only.

Comic Sans and Papyrus—we need to talk about these. While they might seem friendly or unique, they’ve become so associated with amateur design that they immediately undermine your brand identity. For that approachable, handwriting feel, try fonts like Amatic SC or Kalam. For something with texture like Papyrus aimed for, consider Bebas Neue or rougher display fonts that still maintain professionalism.

Collage of Bad Fonts that will Hurt Brand

Another saboteur? Mixing too many different types of fonts. I’ve seen brands use four or five typefaces in a single design, creating visual chaos instead of visual hierarchy. This overwhelms your audience and dilutes your message.

Creating Beautiful Font Pairings and Visual Hierarchy

The solution is surprisingly simple: choose two fonts, occasionally three for special projects. This keeps things cohesive and professional while building a strong visual hierarchy. I like to create contrast—pairing a bold, distinctive header font with something clean and readable for body text. Different types of fonts can work together beautifully when you match them thoughtfully.

Here are font pairings that never sabotage, always elevate:

  • Playfair Display (elegant serif) with Lato (clean sans serif)
  • Montserrat Bold (modern sans serif) with Merriweather (readable serif)
  • Bebas Neue (bold sans serif) with Open Sans (versatile sans serif)

One technique I really love is using different weights within the same font family. You get wonderful versatility while maintaining perfect harmony. Roboto, for example, has nine different weights—from light to heavy, regular to bold. You can create an entire visual system just by exploring those options without risking clashing fonts.

Fonts That Kill Readability (And Their Better Alternatives)

Decorative and calligraphy fonts can absolutely sabotage your brand when used incorrectly. Fonts like Curlz, Bleeding Cowboys, or overly stylized scripts might grab attention, but they sacrifice legibility and professionalism. If you need something decorative, use it sparingly—only for logos or special headers, never for body text.

Better alternatives for creative flair:

  • Instead of Curlz → Try Pacifico or Satisfy for a friendly, flowing style
  • Instead of Impact → Try Oswald or Anton for bold statements that still feel modern
  • Instead of Brush Script → Try Dancing Script or Great Vibes for elegant occasions
Image of canva brand kit font area

Practical Tips for Typography That Really Help

If you’re using Canva for your designs, you have access to so many beautiful font options that won’t sabotage your brand. Canva has really curated an impressive collection of the best fonts—filtering out many problematic choices while offering professional alternatives. I love exploring Canva’s font pairings feature too, which suggests combinations that work well together, helping you avoid mismatched typography. You can even upload your own fonts to Canva if you have specific brand fonts for your business.

Always test your designs on your phone and desktop. A font that seems perfect on your desktop might be sabotaging your mobile experience. Typography that looks crisp on a laptop screen might need adjustments for smaller devices to ensure readability. I like to check on a few different devices when possible—it’s always worth that extra step to ensure legibility across all platforms.

When it comes to all caps, use them strategically. OVERUSING CAPS is another way fonts can sabotage your message—they’re perfect for short headlines to grab attention and inspire action, but full paragraphs in capitals exhaust your audience and hurt readability.

The Bottom Line: Fonts That Work, Not Sabotage

The style of typography you choose should evoke the right emotions and align with your brand’s intent. Whether you’re creating logos, designing marketing materials, or building your entire brand identity, remember to focus on both form and function. Simple, clean typefaces often have more versatility than overly decorative ones.

Here’s my quick reference for fonts that never sabotage:

  • For luxury brands: Didot, Bodoni, Playfair Display
  • For modern businesses: Montserrat, Poppins, Proxima Nova
  • For friendly, approachable brands: Open Sans, Lato, Source Sans Pro
  • For bold statements: Oswald, Bebas Neue, Anton

Typography might seem a bit complex at first, but choosing fonts that support rather than sabotage your brand becomes intuitive with practice. When you find the right fonts for your brand, everything suddenly feels cohesive and polished. Your fonts should elevate your brand, creating designs that are both friendly and professional, with the versatility to work across every medium where your audience might encounter them. The difference between fonts that sabotage and fonts that succeed often comes down to choosing typefaces that prioritize both aesthetics and function—because your brand deserves both.